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Church of the Third Order of Carmel & Convent

  • Writer: Pam Lawton
    Pam Lawton
  • Nov 16, 2024
  • 1 min read

Updated: Nov 20, 2024

Building on the Carmelite Convent and later church, began in 1586 by enslaved Africans. The convent is located in the historic Pelhourino (whipping post) section of Salvador. The convent has had many uses including: shelter for Bahians waging war against the Dutch invasion of Brazil (1624-25) and starting in the 1970s as a luxury hotel, the first of it's kind in Brazil, to help defray the costs of utilities and preservation of the complex. We initially visited the convent with the intention of lodging there with our upcoming class. It was advertised as a luxury hotel or pousada with 39 rooms. Unfortunately, the hotel closed but we took a tour of the church. The building is in decay but the gilded plasterwork, paintings and statuary are still impressive examples of Portuguese Baroque art and architecture. One room boasts a glass coffin containing a very realistic carved and painted cedar statue of the dead Christ embedded with 2000 ruby stones. The statue was created in 1780 by enslaved artist, Francisco das Chagas, aka Cabra . However the most chilling aspect was below the church. A gated, underground area where enslaved Africans working on the structure were held. It was eerie and otherworldly and a reminder of how Black people were once owned as property with no freedoms, or humane places to live.


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Pamela Harris Lawton, EdDCTA, MFA is the Florence Gaskins Harper Endowed Chair in Art Education, and thought leader for MICA’s

Hurwitz Center. Lawton has led study away courses in Mexico and Nicaragua. In 2019 she was both a Tate Exchange Associate artist in

London and Distinguished Chair Fulbright in Edinburgh, Scotland where she facilitated artist’s book workshops with BIPOC immigrant youth.

A scholar, printmaker, book and mixed media artist, her research revolves around visual narrative and intergenerational arts learning in BIPOC

communities. She has published extensively and exhibited her artwork nationally and internationally.  

 

Carissa Aoki, Phd, teaches in MICA’s Ecosystems, Sustainability & Justice BFA program and is an applied ecologist working at

the intersection of landscapes, disturbance and risk. She is particularly interested in bringing anti-racist principles to the teaching of science,

including the use of interdisciplinary stories to bring non-traditional content into the curriculum.

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